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Alexa Doran

To the Man Who Asks What I Know, Rhetorically, of Course, Because I Know Nothing
I try to delight in the edge of things. 
The pubic hair startling my cheek, the cigar’s daffodil  

earning its embers in the dark. All the men who know 
where I end have run  

rivers delicate as thumbs past the porch of my mouth 
sure my thirst was a mango 

halved from their drought. Luck me where lilac quirts 
my thighs, in a puff of pot smoke  

and Paris Hilton watch me rise, finally ready to muscle 
phlox from your sheets 

of ice. It took so long to understand you weren’t going 
to cry, that cannabis is the only cock 

I should suck, the only magic I should bride, 
that you are schwag and chronic is the only balm worth 

my time. You lied. And I wanted to buy that lie 
a shot, to cozy it in Dickel, to settle into the burn-sweet 

of liquor long enough to fjord your thistle, to trickle 
your Cassiopeia of freckles 

across my palms. One summer, my son saw my grandma’s 
shin torn and cried will it ever stop bleeding mom 

and that exact worry, that fear of a forever without a way 
to staunch the swarm, made me realize  

no matter how many rounds I bought, the lie would always 
slosh until I was empty, runnel  

with no cove to carry its bounty. When I say this is all 
​I’m capable of, you turn the shower on 
​

leave me to the curtain’s glisten, the ghost of water drops.

Thesaurus (Breakup Version)
My childhood crush wires a city with light.  

At five years old, I wrote his name in rose
hips pushed into lobes of snow 

             thinking this is a man worth wilting for. 

You are always the same.  

23 and half-fucking me. Cigarillo stubbed
between your teeth.
So hard 

                    to take you seriously you breathe

a-buck my body.          Now you are worried 

 
          about the
mystery. How to not Sherlock 
                       this dream. But we are America,
a looming. A plastic heaven choo-chooing, 


our graves neon against a borrowed night.  


                       When you leave, I learn love
is a choice between nothing and paradise. 
                         Theory: all men need is salt.  

         
              Theory: attraction is salt depletion.  

Theory:           There are no days, just valves
just the caterpillar of smoke, just 

                      the cocoon thick of your lips

and whatever wing tips the air between us. 

                 I hate you. This is not a theory. 
This is a fun fact.    New Orleans still 
shawls my first hope.    Still offers its girdle.  

       I never imagine his wife, just his mother 

at the kitchen window,      watching me plant 
her son’s name using cemetery petals and
a face hurdled                       by January, by
no.



When My Son Asked Me to Define Pregnant
I said there’s no Disney or Heaven. Call it “panic”
call me “a dick,” but I needed those explosives 

to ambrosia the sky so he wouldn’t notice I am 
no longer the boat for that ride, the acreage  

of my uterus set to expire. On the phone, you 
“explain”
it’s just a phase as if love short-circuits 

with age, breathquick as wave, ready to die like 
Big Pun when hip-hop still slayed. Forget your  

refusal to father, to wander past the let’s not rush
things
, just put on that G-string, past the menthol  

glamor of your truck stop trailer – like haze
they have no weight. You are all  

the “Christians” who need Jesus to love a thing 
bigger than them, who need a human to die 

before they’ll say amen. So, I shy from my son’s
question, trapped in an aisle of tendon, certain 

only of humiliation, of the blood which erupts
each month. No one to pause the slough,  

no shunt to stave the loss, nothing but fucking 
fog. Still, if you could just see me from across 

a room, light anywhere shadows anywhere, then
maybe we could fashion a better definition, not  

words, but a chance to see body turn verb, skin 
turn bird, to know the need is never just yours.


Alexa Doran received her PhD in Poetry at Florida State University. Her full-length collection DM Me, Mother Darling won the 2020 May Sarton New Hampshire Poetry Prize and was published in April 2021 (Bauhan). She is also the author of the chapbook Nightsink, Faucet Me a Lullaby (Bottlecap Press 2019). You can look for work from Doran in recent or upcoming issues of Pleiades, Literary Mama, Tinderbox Poetry Journal, Salt Hill Journal, and Gigantic Sequins, among others. For a full list of her publications, awards, and interviews please visit her website 
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