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Loisa Fenichell

June blues
​I did mostly everything when I was gifted into boredom –
traversed Coney Island, walking along its vertebra
boardwalks like a dizzied fox, the upstairs sky splintering
like a fractured bone by pickings of clouds. The sky
didn’t care about me. It couldn’t. In those days, there 
were so many poets writing about bones, ghosts, and wind.
Oh, god. Was I one of them? Everything I saw 
resembled some stretch of a blemished hand’s 
covering of skin. This was not unusual. Thing is, I wanted 
to be happier. It was difficult to believe, because I’d spent 
so long underneath craven shade like a rooster. But I did. 
I mean, really – what was happiness on about, anyway?  
The pink-covered prized book of a loved one. Waking up 
one day, in June, and looking out the window to wonder 
at the yonder tree finally growing its green plants and flowers 
red as bibles, or offensively vivid font colors, or, even more
obvious, menstrual cycles, and on. Where was I going?
I was taking the A train, knowing I could so easily stick
out my tongue and drag it across the orange seats. Lick up
the remnants of people’s – what? Salty? – imprints. Knowing,
too, that I would never. When at bars, and drinkers
told me they were surgeons, I couldn’t help but ask them,
hey, what’s wrong with me? What was wrong? Deer were still
roaming, at the very least. But then – they were getting hit by cars,
too. Monarch butterflies were still hovering like the sounds
of whistles above the sidewalks. On a date, a man said, yeah,
sure, I believe in global warming, but just because of the statistics. 
Two days ago, the sky had been hazy and orange as a clementine.  
A spare toothbrush sat on my desk, unused for months. 
The problem was I would have given it to anybody, 
to anybody at all who had the potential to adore me.
 
The self is that other in the mirror – there you are! 
​So I said to her – I did! Look – there 
you are with your blankest bits 
of brain. You are wearing your bluest
dress. It is blue as that sliver
of horizon witnessed through 
the window of a plane. There was a time – 
you were walking outside
of an aquarium – when bird shit fell 
onto the dress’ shoulder. Once, you 
spoke with a woman about a carousel.
The carousel only revealed itself 
to its neon green field at noon. You 
did not enjoy being with this woman. 
You’ve never enjoyed being with 
a woman. Still, it’s true! You’re a woman 
in love. Somewhere in the future, 
you will find yourself your field!
It will be full of dusk. Some thorns. 
In your past field a boy held 
your legs apart like a riddle. We 
don’t talk about that. Or that 
when the future is unknown, you hate 
everybody. You peer into 
disappointment as though it were 
a vase on your nightstand. The vase 
is a plastic cup that reads 
“Oakland Athletics.” Oakland 
is in California. You are in New York. 
The cup is full of tangled flowers. 
The flowers have names. You forgot
them just as soon as you bought them. 
This is why they are now dead. You used 
to be so good with simile! Your smile, 
with its proclivity to present itself simply 
as a cornfield. You spent some time 
in Ohio. You were unhappy with 
its cornfields spread out like discarded gum. 
You liked to chew spearmint, you did, 
those days when you chewed so little else. 
Your doctor expressed concern. 
Your friend found the hunger natural. 
A boy was found in your bed while 
your boyfriend had gone to Ecuador. 
So began the proclivity, too, towards 
cheating. Today, for the first time, you 
wanted to tear the legs of a woman. 
The woman was not you. You are alone 
for the seventieth night in a row. You want 
yourself butchered and hanging from 
a thread. God. I said all that! I said all this 
and more. And that this blankness might fill 
with an image. The image is a single gray 
rock jutting from a blue ocean. There
is only one word to describe the sky – marvel. 
Sonnet for a particular kind of nausea 
​I adore gray wind, I say, hoping it’s 
something we might be able to agree 
on. Acidity falls on my tongue like 
a pale rain. Counting syllables of his 

name – two – makes him more human to all the 
flowers just beginning to show off – this 
is in spring and, like all springs, scrolling through 
feeds, there are so many babies born – these 

infants entering the world for the first 
time. In his room, a single striped bee, some drugs. 
I am splayed out on my back like a sort 
of televised roach. On the phone, I hear 

somebody say, well, it must have happened – 
it’s knocking against the surface of your voice. 

Loisa Fenichell’s work has been nominated for a Pushcart Prize, Best of the Net, and Best New Poets, and has been featured or is forthcoming in Poetry Northwest, Washington Square Review, The Iowa Review, and elsewhere. Her chapbook, all these urban fields, was published by nothing to say press and her collection, Wandering in all directions of this earth, which was a Tupelo Press Berkshire Prize finalist in 2021 and 2022, was the winner of the 2022 Ghost Peach Press Prize, selected by Yale Younger Poets Prize winner Eduardo C. Corral, and published by Ghost Peach Press. She is the winner of the 2021 Bat City Review Editors' Prize, has been a finalist for Narrative Magazine’s 2021 30 Below contest, a runner-up for Tupelo Quarterly's Tupelo Poetry Prize, and a finalist for the Dorianne Laux / Joe Millar prize. She has received support from Bread Loaf Writers’ Workshop and Community of Writers and holds an MFA in Poetry from Columbia University.
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